I read this book with a certain prejudice towards Malamud, and here’s why
I came to know of Malamud through the New Yorker’s podcasts. In one of them, Alexandar Hemon who edits the Best European Fiction Anthologies, chose to read Malamud’s « A Summer’s Reading ». The fiction editor at the New Yorker, asked Hemon why he though people no longer read Malamud as before, and he said, though meaning well, that it’s because Malamud is a 19th century writer. And so, naturally, I read the book looking for little clues that would make me pop with Aha! 19th century feeling here!
That said, I don’t know to which 19th century Hemon was referring, but this is a fiction book based on a true event and that made me think of the Goncourt brothers, among others. Had I known this fact beforehand, I wouldn’t have read the book, but I…
View original post 978 mots de plus